Fall/Winter 2025
For the Fall/Winter 25 collection, I contributed to the development of a wide range of graphics across multiple garments, working under the creative direction of Francesco Ragazzi.
The work included both autonomously executed graphics, covering execution and selected creative development, and designs developed collaboratively with the graphic team, alongside Francesco Passerini and Filippo Ferro.
The work included both autonomously executed graphics, covering execution and selected creative development, and designs developed collaboratively with the graphic team, alongside Francesco Passerini and Filippo Ferro.
As part of the Palm Angels Ă— Los Angeles Times collaboration, I worked closely with Francesco Passerini on the development of key graphic elements for the collection.
The Lockup graphic combines both logos through a newspaper-cutout aesthetic, explored across multiple color variations.
The Quote graphic distills the collaboration’s essence by combining LA Times–inspired typography with a bold Palm Angels–driven motto, connecting editorial heritage with streetwear identity.
The Lockup graphic combines both logos through a newspaper-cutout aesthetic, explored across multiple color variations.
The Quote graphic distills the collaboration’s essence by combining LA Times–inspired typography with a bold Palm Angels–driven motto, connecting editorial heritage with streetwear identity.
Another key chapter of the collection was the collaboration with Vilebrequin, where I developed the front and back artwork used across the apparel pieces in the capsule.
The graphic was conceived with a bold, vintage-inflected aesthetic—evoking exotic resort merchandise—combining clean typographic hierarchy with distressed textures I crafted for a timeworn feel.
The design was translated into two colorways—a stark black-on-white version and a vibrant multicolor interpretation—allowing the artwork to shift from minimal to expressive.
Each garment is enriched by a lockup of the two brands’ logos, scanned and printed at the back neck as a subtle trompe-l’œil detail.
The graphic was conceived with a bold, vintage-inflected aesthetic—evoking exotic resort merchandise—combining clean typographic hierarchy with distressed textures I crafted for a timeworn feel.
The design was translated into two colorways—a stark black-on-white version and a vibrant multicolor interpretation—allowing the artwork to shift from minimal to expressive.
Each garment is enriched by a lockup of the two brands’ logos, scanned and printed at the back neck as a subtle trompe-l’œil detail.
A central theme of this collection was the evolution of Palm Angels’ iconic flames motif, which I reinterpreted across multiple applications.
I seamlessly fused the signature Flame with the brand Monogram into a cool, elongated graphic, crafted in varied lengths to suit different garments—from longer versions for hoodies and long-sleeves to shorter ones for tees and socks.
Building on this, I crafted a flag-inspired variant blending Monogram+Flame and Star+Flame elements in red-white-blue, rendered as oversized central prints, all-over sock patterns, and compact square patches for military-style pieces.
Finally, I revisited an archival torso-wrapping flames graphic, giving it a gritty spray-paint effect for use across various garments.
I seamlessly fused the signature Flame with the brand Monogram into a cool, elongated graphic, crafted in varied lengths to suit different garments—from longer versions for hoodies and long-sleeves to shorter ones for tees and socks.
Building on this, I crafted a flag-inspired variant blending Monogram+Flame and Star+Flame elements in red-white-blue, rendered as oversized central prints, all-over sock patterns, and compact square patches for military-style pieces.
Finally, I revisited an archival torso-wrapping flames graphic, giving it a gritty spray-paint effect for use across various garments.
One of the collection’s recurring themes was the snake motif. I developed the initial concept for a Camo-Snake pattern, later refined by a textile print development studio for fabric printing and application on eco-leather with a python-textured finish.
Together with Filippo—starting from an archival print sourced from a specialized textile print studio—we reworked a snake illustration and merged it with the Box Logo. The graphic was further enhanced across garments: hybrid Print with raised scales on t-shirts, and a zipper cutting through the logo on hoodies. I also adapted the graphic to wrap seamlessly around the sleeves of a long-sleeve T-shirt.
Starting from an archival spray-stencil logo, I created an oversized back print for the "Bear in Mind" hoodie as a negative stencil, emphasizing the raw spray effect.
Finally, for the "Rest in Palm" graphic, I applied a hand-painted effect to the logo and claim, paired with a custom worn texture to achieve a vintage, tactile finish reminiscent of aged plastisol prints.
Lunar New Year Collection
I contributed to the design of Palm Angels’ Lunar New Year capsule, celebrating the Year of the Snake with a bold mix of streetwear, cultural symbolism, and racing-inspired aesthetics.
I personally designed some of the graphics, while others were created in collaboration with Francesco Passerini and Filippo Ferro. Additionally, Filippo and I developed the all-over snake pattern used for the standout jacquard tracksuit, featuring striking red snakes on black.
I personally designed some of the graphics, while others were created in collaboration with Francesco Passerini and Filippo Ferro. Additionally, Filippo and I developed the all-over snake pattern used for the standout jacquard tracksuit, featuring striking red snakes on black.
DOS Capsule
Designed for Palm Angels’ Directly Operated Stores (DOS), this capsule features graphics inspired by the cities where the stores are located—Los Angeles, Paris, Milan, Miami, Las Vegas, and New York.
It also includes the "I Love Palm" graphic, a key design that encapsulates the overall theme of the collection, along with an all-over pattern combining elements from all the cities.
The graphics were created in collaboration with Francesco Passerini and Filippo Ferro, capturing the bold, street-inspired vibe of Palm Angels.
The graphics were created in collaboration with Francesco Passerini and Filippo Ferro, capturing the bold, street-inspired vibe of Palm Angels.
Bear In Mind Thailand Pop-Up Store
I designed the pattern for the Palm Angels 'Bear in Mind' installation at Iconsiam, Thailand, which ran from September to October 2024 at Thara Hall, M floor.
Celebrating the return of the iconic 'Bear in Mind' graphic, my design enhanced the collection’s bold, immersive presentation, capturing the Palm Angels vibe and creating a standout experience for visitors.
Celebrating the return of the iconic 'Bear in Mind' graphic, my design enhanced the collection’s bold, immersive presentation, capturing the Palm Angels vibe and creating a standout experience for visitors.
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All images featured on this page are the property of their respective owners and are used for portfolio and showcase purposes only. Visual materials are sourced from Palm Angels, Farfetch, SSENSE, Symbol.ua and PP Group Thailand to illustrate the graphic work developed across various projects.